Conan of Cimmeria', published by
Sphere. Something about the cover caught my attention from the start - the titles, in their bold, uncluttered light blue modern font; the dramatic artwork; the black background to the titles which gave the cover a unique look. I felt as though I was buying something quite different. Later, I discovered the whole Sphere Conan series at a
WH Smiths in
Romford. They covered an entire display case - all with the same format, only with different coloured titles for each book. And that wonderful artwork as well - as though Landseer had been let loose in the Dark Ages. I eventually discovered that the cover art was by
Frank Frazetta, widely acknowledged as one of the great fantasy artists. I soon bought '
The Fantastic Art of Frank Frazetta' and dreamed of lost Sphere 'Conan' books and the title colours that would go with each picture.
In the mid-seventies, I bought my very first Conan paperback, '
In short, not only did the series look unique. It also set my imagination working. The same is true of the
Michael Moorcock books published by
Mayflower, also in the seventies. They all had a clean, white modern font that set them apart on the bookshelves, and a cover design that was a mixture of psychedelia and Tibetan religious art. '
The King of the Swords' is still my favourite. There was a look to the covers that made you want to collect them all.
The same could be said of sci-fi artist
Chris Foss's iconic designs for
Isaac Asimov's books, almost photographic in their realism, blazingly colourful, but again with a title font that was clear and recognizably Asimov.