BooksChatter: ☀ Lucidity: Detective Hank Madden [3]

Thank you for joining us on the Virtual Book Tour for Lucidity, a Mystery Thriller by David Carnoy (7 February 2017, Overlook Press, 304 pages).

This is the third book in the Detective Hank Madden series.

Don't miss our interview with author David Carnoy.

PREVIEW: Check out the book's synopsis and the Kindle Cloud Reader Preview below.

Author David Carnoy will be awarding a $20 Amazon gift card to a randomly drawn winner, and one ebook copy of Lucidity to five other winners via Rafflecopter during the tour. Please do take part: comment on our post and follow the tour where you will be able to read other excerpts (☀), interviews (ℚ), reviews (✍) and guest blog posts (✉).

|| Synopsis || Teaser: Excerpt || The Series || Author Q&A || About the Author || Giveaway & Tour Stops ||

Synopsis

After his gripping thriller debut (Kirkus) Knife Music and sophomore page turner (Examiner.com) The Big Exit, David Carnoy s Detective Hank Madden returns in this bicoastal caper that pits dreams against reality, where nothing can be taken at face value.

Twenty years after the unsolved case of Stacey Walker's disappearance went cold, a Silicone Valley executive hires the retired Menlo Park Police Detective Hank Madden to find her body and track down her missing husband, the prime suspect in her unsolved murder. Four months later, author Candace Epstein is pushed in front of a car near Central Park. Her editor Max Fremmer becomes entangled into the investigation of her attempted murder, though he is adamant that he is uninvolved. As he digs into Candace s background to clear his own name, Fremmer grows suspicious of his client s connection to a nefarious institute for lucid dreaming on the Upper East Side and its staff whose stories never seem to add up all while an unexpected link emerges to Detective Madden s investigation in California.

As similarities arise between the cases on each coast, Detective Madden and Fremmer forge an unlikely partnership to expose what misconduct lurks beneath the facade of the Lucidity Center but can they unravel the secret that links their investigations together in time, or are they only dreaming? Carnoy s Lucidity stuns with complex detail that will keep readers guessing until the final, satisfying jolt.

Teaser: Excerpt

Prologue

THE FIRST CALL CAME IN AT 6:08 AM.

“Send an ambulance to Central Park West and 75th,” a male caller said in an eerily measured voice, as if arranging a ride to the airport. “Someone just got hit by a car. There’s a body in the middle of the street. I can see it from my window.”
      “OK, sir,” the 911 dispatcher responded. “Let me make sure I heard you correctly. You said someone was hit by a car?”
      “Yes.”
      “How long ago did this happen?”
      “Like fifteen seconds ago.”
      “Did you see it happen?”
      “No, I heard it. Get some paramedics here quick.”
      The line went silent.
      “An ambulance and the police are on the way,” the dispatcher said after a moment. “Can you tell me what you heard, sir?”
      “I heard a screech of tires and a kind of thud. Now this woman is standing outside her car screaming. It’s a BMW 3-series.”
      “You hear screaming now?”
      “The woman who hit the person is screaming. I can see the whole thing. I’m on the third floor. Hold on, I’m going to take some pictures.”
      Another short silence.
      “Sir, are you still there?”
      “Yeah. She’s totally freaking out. You’ve gotta have more calls coming in.”
      They did. Another dispatcher was speaking to a woman who lived on the eighth floor of the same apartment building. And a third caller, who identified himself as a doorman, sounded distressed.
      “It looks bad, man,” he said. “Tell them to hurry.”
      The first calls came mostly from the north tower of the fabled San Remo, a hulking twin-steepled architectural gem that dominated the western skyline over Central Park. The San Remo was one among many grand pre-war co-ops along Central Park West, the West Side’s so-called “gold coast.” But it was also grander than most. It even had its own Wikipedia page that included a list of celebrities—past and present—that owned apartments there.
      The only eyewitness to the accident, a runner on her way into the park, reached a 911 operator a full five minutes after the first caller.
      A little breathlessly she explained that she’d just seen a woman get pushed in front of a car.
      “I’m sorry I didn’t call sooner but I didn’t have my phone with me. I had to borrow someone’s.”
      “That’s OK,” the dispatcher said. “Have you spoken to any police officers yet?”
      “No, they’re trying to keep everyone away from her. The ambulance just got here. The paramedics are working on her. There’s a lot of blood. My God, I hope she isn’t dead.”
      “OK, I need you to stay there and give a statement to a police officer. They need to know what you saw. But I also want you to tell me what you saw and I’ll make sure they get it.”
      The NYPD had a smattering of high-resolution cameras in and around Central Park, but none near the intersections of 74th or 75th and Central Park West; the closest was a block south at 73rd. The San Remo, however, had its own security cameras and one of them did record the accident. The grainy video would support what the jogger told the dispatcher:
      “This guy, he looked like a homeless guy, came up to her while she was in the crosswalk,” she said. “She was walking her dog. He was slightly behind her to her right. She looked over at him. I don’t know if she said anything or not. But suddenly he lunged forward and pushed her into the street just as a car was coming.”
      The vehicle’s front bumper struck the woman just below the knees, taking her legs out from under her. She rolled up onto the hood, ricocheted off the edge of the windshield and corkscrewed gymnastically in the air. Her right hand hit the pavement, followed by her hip and torso, and then her head, face-first. One of her shoes came off and her cell phone skittered across the street, all the way to the other side, where it was found resting next to the back tire of a parked car, the screen cracked but otherwise operational.
      “I went over to help,” the jogger said, her voice wavering. “I didn’t know what to do. I’d never seen anything like that. There was so much blood. It was coming out of her ears.”
PART 1
Chapter 1 | Readers Love Ballsy Women
      “MY PROTAGONIST IS THE PROBLEM,” THE PROSPECT SAID.
      “The rest is good.”
      The rest wasn’t good, Fremmer thought. But at least it was bad in a good way. A campy way.
      “She use the U word?” he asked the prospect.
      “The U word?”
      “Unsympathetic.”
      The prospect’s eyes flashed a glint of pain. His name was Brian.
      Brian Tynan. Compliance officer by day, aspiring novelist by commute, he’d written a zombie techno thriller while riding on Metro North. Croton Falls to Grand Central and back. The first draft took a year. The rewrites another eight months, maybe longer.
      “I made the changes she suggested,” Brian said, referring to his agent.
      “I made him more sympathetic. But she won’t send it out anymore.
      Look, the guy, the protagonist, is a tech entrepreneur. He’s a little bit of a douchebag. They all are. It’s part of their DNA.”
      Fremmer nodded. They were seated near the front window of the Starbucks on Columbus Avenue and 81st Street. Fremmer had scootered there fifteen minutes earlier from his apartment a few blocks away. Brian was already at a table, waiting for him, not exactly what Fremmer expected. When a guy tells you he’s a compliance officer for a bank, you think little bald guy with spectacles. But Brian was tall. Maybe six-three, a little overweight, big head and features and wavy salt and pepper hair parted neatly to the left. In his late forties, he was wearing a standard-issue gray suit and blue striped tie. Physically, he was imposing. But as soon as he started talking he shrunk. Not timid exactly. Just unsure of himself, not comfortable in his skin. He had a tic, too. The right eye, it fluttered now and then.
      “I’m more partial to penis,” Fremmer said. “Or prick. Douchebag is overused at this point. So much so that you sound like a douchebag for using it.”
      “Oh, sorry,” Brian said.
      “Don’t be sorry. The point is he’s not douchey enough.”
      “Not enough?”
      “Not even close.”
      “But how would that make him more sympathetic?”
      “It wouldn’t. But it would make him more likeable. You’re looking for likeable, Brian, not sympathetic.”
      “Aren’t they the same—or at least similar?”
      “You said your wife left you for your contractor.”
      “He wasn’t my contractor. He was just a contractor. He has a masonry business. What’s that got to do with anything?”
      Fremmer leaned forward, lowered his voice. “It’s a crappy situation. Wife leaves you. Custody battle. Now you get your kids every other weekend. Bummer. I feel bad for you. But then I hear you’ve got a little bit of a temper. You lose it from time to time. Go off. Some might call it an abusive streak.”
      “I told you she only said that because she was trying to get full custody. Believe me, she was far more abusive than I ever was. She called me names. Demeaning names.”
      “You’re the victim, Brian. I get that. But see how easily I’ve made you unlikeable. Just from the guilty look in your eyes right now I can totally understand why your wife left you for your contractor.”
      “He wasn’t my contractor.”
      “I know. The point is your agent who’s not really your agent because she only took you on because your older, more successful brother asked her to, isn’t going to give it to you straight because she doesn’t want to harsh on someone who’s in such a fragile state of mind.”
      “Younger brother,” Brian said. “He’s my younger brother.”
      “Whatever. Just understand that I don’t have a problem telling it like it is. I’m not going to toss off some dismissive comment about your protagonist not being sympathetic enough. He’s actually pathetic, if you want to know the truth. He’s completely overshadowed by the villain, the Evil Steve Jobs character.”
      The antagonist had a real name, but skimming the book while sitting on the toilet that morning, Fremmer noticed a line about how the bad guy—the diabolical venture capitalist using the protagonist’s social-media start-up to turn everyone into zombies—reminded people of “an evil Steve Jobs.” The description stuck.
      The prospect slumped in his chair. He was crestfallen. Mission accomplished. Teardown complete.
      “So you don’t think I should publish it?” he asked.
      “No, by all you means you should publish it.”
      A woman at a nearby table glanced up from her laptop. Fremmer often raised his voice when uttering the “p” word in Starbucks. He likened it to a duck call—but for writers. These places were teeming with potential clients.
      “I should?”
      “Absolutely,” Fremmer said. “But not for the bullshit reason you gave me. Sure, in your present financial condition, it’d be nice to make some extra money. But we know the real dream is to show your ex-wife that you aren’t the putz she thinks you are. That instead of forever talking about writing that novel, you went ahead and did it.”
      “So you think it’s publishable?”
      “Anything’s publishable, Brian.”
      “What I mean is, you think there’s enough here...you think it’s good?”
      “With a little work, I can make people think it’s good. And I can also make you feel like you accomplished something.”
      “How much will that cost? To do that?”
      “About nine grand,” Fremmer replied without hesitation. “And that’s only if we do the e-book.”
      Brian blanched. “That seems a little steep.”
      “Very. So here’s what I’m going to do. Normally you’d have to pay a professional editor at least $3,000 to go through your book and give you a detailed critique. And that doesn’t include line editing or copyediting.”
      “I thought that’s what you did. You’re a book doctor.”
      “No, that’s just my Google title. For SEO. Think of me more as a book expediter, a shepherd if you will. I’ve spent years vetting the right cover designers, formatters, copy editors, and the people you’re going to pay to review your book, etcetera, etcetera.”
      Brian laughed, but he clearly didn’t find the remark funny. In fact, he was offended. “So you have people create fake reviews for my book? That’s what I’m hiring you to do?”
      “First of all, I don’t work for you, you work for me. You’re hiring me to work for me. Secondly, they’re not fake reviews. They’re real reviews written by fake people. That’s different from fake reviews written by real people. Those are the ones you get from friends and relatives. You’ll need some of those, too.”
      Another laugh, this one more incredulous than the last. “You’re a piece of work, Fremmer. The scooter, the T-shirt, all part of the act, right?”
      “Max,” Fremmer said, not taking offense. “Call me Max.”
      Fremmer leaned down to fish out a small pad of paper from a backpack sitting on the floor next to a folded-up Xootr kick scooter. Judging from his attire, that scooter could easily have been mistaken for a fashion accessory—or, as Brian had put it, “part of the act”—for Fremmer looked like an over-the-hill skateboarder or former Internet executive who’d gotten his big exit and decided to check out of the rat race for a while. He was wearing jeans, vintage Fred Perry tennis shoes, and a white long-sleeve shirt layered under a green Mohegan Sun casino resort T-shirt that he’d picked up at a thrift shop. It had the words “Double Down” written on the front in cartoonish letters. A sporadic shaver since college, Fremmer’s face showed five or six days of stubble speckled with gray. His short hair was stylishly unkempt. His nose, prominent but straight, was juxtaposed against a set of bright blue eyes. The eyes won. They stood out.
      He wrote some numbers on the pad along with their corresponding services. Then he turned the pad around and slid it across the small table toward Brian.
      “I’ve read your manuscript, and except for the protagonist problem, it’s pretty polished,” he said. “So here’s what I’m going to do. I’m going to tell you how to fix that problem so we can knock out that editor’s fee.” He then did just that, drew a line through the first number, $3,000. “And to be clear, what I’m about to tell you is worth far more than three grand. It will completely transform your book.”
      Brian crossed his arms and smiled.
      “Wait, don’t tell me, the catch is I’ve got to pay for all the other stuff to get this incredibly valuable piece of advice.”
      “Nope. This is a freebie, my gift to you for schlepping up to the Upper West Side and buying me my third chai latte of the day. Walk away with it. It’s yours to keep.”
      “I’m listening,” Brian said.
      “You turn him into a her. You make your protagonist a woman.”
      Another laugh. However, this time he seemed genuinely amused—at least until he realized Fremmer wasn’t kidding.
      “You’re serious?”
      “Think about. It’s an easier fix than you think. And as soon as you do it, you’ll realize how much more sympathetic your character will become. The dynamics will totally change.”
      “I thought you said I wanted him to be likeable.”
      “They’re pretty much the same thing, Brian. You said so yourself.”
      “But what about the guy’s wife?”
      “Husband. She’s a man now. Same scenario only he’s now the not-by-choice stay-at-home-dad who’s developed the drinking problem and is banging the neighbor’s wife down the street. See how much better that plays?”
      Brian looked away for a moment, trying to wrap his mind around the sex-change operation.
      “I know it’s a lot to process right now,” Fremmer went on. “But take a few days to go through the manuscript. You’ll see what I mean.
      Yeah, you’ll have to redo some descriptions, but most of the time you’ll just be looking at a pronoun change.”
      Just then a buff-looking Asian guy wearing a Philadelphia Eagles jersey and gold chain around his neck looked at Fremmer. Fremmer had noticed him scanning the place for a spot to sit down. Or so Fremmer thought. Their eyes locked, but instead of turning away, the guy kept staring.
      “You know, you may be right,” Brian said. His thoughts churning, he failed to notice that the Eagles fan had approached their table and unfolded a sheet of paper, which he then held up for Fremmer to inspect.
      Fremmer was looking at himself.
      “This you?” asked his new friend, who upon closer inspection had a boyish face but strands of gray in his hair.
      It was his Facebook profile picture, blown up to headshot size.
      Fremmer noticed that he was wearing the same T-shirt in the picture that he was wearing now, which was sort of embarrassing.
      “Yeah, what’s going on?” he asked.
      The paper went away and was replaced by a gold-colored police shield. He introduced himself as Thomas Chu, a detective with the NYPD. “We’ve been looking for you,” he said. “There was an accident. I need you to come with me to the station house.”
      Fremmer’s stomach dropped. His whole body tensed, bracing for the worst. Jamie, he thought.
      “Who, my kid?”
      “No, not your kid. A woman.”
      The weight on his chest lifted, but only temporarily.
      “What woman?”
      “Candace Epstein. She was hit by a car this morning.”
      Fremmer noticed that the detective observed him carefully, studying his reaction as he spoke. Fremmer couldn’t hold back the shock—and perhaps a little alarm—from showing in his eyes.
      “Christ. How bad?”
      The detective didn’t respond right away. So Fremmer asked again:
      “How bad?”
      “Bad. She isn’t expected to survive.”
      Fremmer sat there, dumbfounded. Hit by a car? Not expected to survive? He had a vision of her hooked up to life support in the ICU, tubes jutting out of her, a heart-rate monitor beeping rhythmically.
      With each imagined beep, he felt his own pulse speed up. He’d exchanged text messages with her only yesterday. In the last month, she’d made more than a few cryptic comments about a soured relationship that had turned threatening. He pressed her about it, but she would only say was that she knew something bad about someone. The kind of bad that lands you in prison for a long time.
      He didn’t know what to believe. Part of him thought she was taking him for a ride to avoid paying him. He’d taken precautions to avoid being stiffed, but she was one of a few clients with whom he shared royalties instead of accepting a larger, upfront payment.
      Now he was terrified he’d completely misread her. He’d been dismissive of her fears—and it was all going to come out that he was a callous son-of-bitch who just wanted to get paid. Or worse. Maybe they thought he had something to do with it.
      “Where did it happen?” he asked.
      The detective nodded to his left, in the direction of the park. West.
      “On CPW.”
      “Did someone run a light or something?”
      “I can’t discuss that. We have an active investigation. Which is why we need you to come in. We need you to provide us with some background info.”
      Yeah, right, Fremmer thought. Background info.
      “Now?”
      “Sounds good to me,” the detective said, flashing a charming smile. “You need a minute to conclude your business?”
      Fremmer looked over at Brian, who seemed both stunned and perplexed. The poor guy had gone from despair to hope to what the fuck?
      Fremmer leaned over and picked up his backpack and scooter, then stood up, one in each hand.
      “I was serious about what I said, Brian,” he announced. “You’re a pair of tits and a vagina away from fulfilling your destiny. Readers love ballsy women. The detective here loves ballsy women.”
      Fremmer glanced over at the detective, who, judging from the expression on his face, clearly didn’t love ballsy women—or more probably thought Fremmer was a lunatic.
      “OK, maybe not,” Fremmer said. “But the readers do. And I do.
      So make the change. And do it with conviction. Do whatever you do with conviction. Always.”

Excerpt from Lucidity by David Carnoy. Copyright © 2017 by David Carnoy. On sale from The Overlook Press February 7, 2017. Reproduced with permission from The Overlook Press, Peter Mayer Overlook Press, Inc. www.overlookpress.com. All rights reserved.

Lucidity
Available NOW!

The Series: Detective Hank Madden

All titles in the series are independent novels.

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Click on the book cover to Look Inside the book on Amazon and read an excerpt (where available).

Knife Music [1]

Tense and twisting, Knife Music is the story of a doctor struggling to clear his name after being accused of raping and causing the suicide of a young girl.

The novel pits Ted Cogan, a forty-three-year- old surgeon and self-described womanizer, against Hank Madden, a handicapped veteran detective. From the outset it's not clear who is victim and who is victimizer, as the usually dispassionate Madden grapples with his long-suppressed prejudices and his obsession with bringing Ted Cogan to justice at any cost. It all leads up to the most stunning surprise ending since Scott Turow's Presumed Innocent.

[Published 19 September 2008, 352 pages]

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The Big Exit [2]

By the acclaimed author of Knife Music, The Big Exit is a suspenseful thrill ride through the high stakes world of Silicon Valley start-ups.

Fresh out of prison, Richie Forman tries to settle back into his life in the Bay Area. By day, he works at a law firm dedicated to freeing innocent men from prison. By night, he makes a living impersonating Frank Sinatra. But then his ex-best friend is found hacked to death in his garage, and Richie becomes the prime suspect. In a murder mystery with the intricacies of a microchip, David Carnoy weaves his characters like a master.

[Published 11 October 2012, 319 pages]

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About the Author

While David Carnoy lives in New York City with his wife and children, his novels take place in Silicon Valley, where he grew up and went to high school (Palo Alto). His debut novel, Knife Music (2010), was a Top-10 bestseller on the Kindle and also a bestseller on the Nook. More medical thriller than high-tech thriller, to research the novel Carnoy spent a lot of time talking with doctors, visiting trauma centers, and trailed a surgeon at a hospital in Northern California to help create the book's protagonist, Dr. Ted Cogan.

The Big Exit (2012) isn't a sequel to Knife Music per se. However, a few of the characters from Knife Music figure prominently in the story. His second novel has more of a high-tech slant and reflects Carnoy's experiences as an executive editor at CNET.com, where he currently works and is trying resolve his obsession with consumer electronics products. He went to college at Wesleyan University and has an MFA in creative writing from Columbia University.

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